Contamination
The video sequence was made inside Palazzo De Grazia in Gorizia, during the exhibition of the two installations "The tree and the muffland" by LC-DDS and "Who has turned off the universal genius" by Francesco Imbimbo, from 8 as of December 15, 2019.
The installation "The tree and the muffland" was conceived and created as early as 2016. The idea of ​​supporting it, in a contaminative sense, from an installation by Francesco Imbimbo was born in early October 2019. Francesco's work, What killed the universal genius, concerns Leonardo da Vinci, and specifically the Vitruvian man.
At this point, we have found the connection between the two installations in the connection that exists between Leonardo and nature.
Mutant landsacapes
The theme concerns two aspects: on the one hand, environmental changes, which are increasingly faster and visibly significant; on the other the existential tangles, in an increasingly convulsive modification. It also invests the connections between the two areas both in real terms, in conflict or in harmony, and on a meta-significant level. In fact, the words can be mixed: tangled landscapes, changing soul; Landscapes of the changing soul; Tangles of soul mutations; The soul tangled in mutations ... and so on. The existence of the human being and the Earth, I believe is under everyone's eyes, is constantly changing, ever wider: like the universe that grows. Should we be afraid of abandoning nature (it is itself abandoning us) or hopefully face mutations? Is it possible to accept an increasingly natural (in the original sense) and increasingly technological human life?